At the heart of the development of Uzbek literature is rich folklore - amateur and folk arts. People wrote and passed from mouth to mouth heroic epics whose characters became heroes who fought against oppression and oppressors, depicted in the images of evil forces. Thus were born such epic works of Uzbek folklore as "Ker-oglu" and "Alpamysh." The poem "Alpamysh" tells the story of the courage and bravery of the Uzbek athletes. This poem survived the centuries and became a real monument of Oriental literature.

Another popular folk work of art was a cycle of the tales and stories about Nasreddin Afandi - a deft, clever fox, who, with his antics, gave a lesson to the greedy rich men and money-bags.
In the 11th century, numerous works based on religious norms of Islamic morality emerged. These include instructive poems like "The Knowledge that Gives Happiness" (1069) by Yusuf Balasaguni, "The Gift of the Truths" by Ahmad Yugnaki, and especially the "Dictionary of Turkic Dialects" (1072-74) by Mahmud of Kashgar.
Uzbek literature reached new heights during the Timurid dynasty. Works became more secular and less focused on religious themes. Alisher Navoi, a poet, thinker, and statesman, is considered a classic of Uzbek literature and the founder of the Uzbek literary language. His masterpieces "Chordevon" and "Hamsa" are global literary treasures, translated into many languages.
The last Timurid ruler and founder of the Mughal Empire in India, Zahiriddin Muhammad Babur, was also a renowned poet. His autobiographical epic poem, "Baburname," recounts the history of Central Asia, Afghanistan, and India, and is a key historical and literary work of Uzbek literature.
The 18th–19th centuries saw the rise of lyrical poetry, often centered on themes of love. Esteemed poets of this era include Nadir, Uvaysi, Mashrab, and Khwarizmi. Their works expressed emotion, beauty, and philosophical reflection.
The 20th century introduced the Soviet era of Uzbek literature, with key figures such as Mukimi Furkat, Hamza Niyazi Khakimzade, Sadriddin Aini, Abdullah Kadiri, Fitrat, Oybek, Ghulam Ghafoor, Abdullah Kahhar, Hamid Alimjan, and Uygun. Their contributions helped shape modern Uzbek literary identity, blending national pride with social commentary.